Kamasi Washington’s Heaven & Earth was already the album of the year for me, well before I walked into a record store on the weekend and saw a sign on the wall next to the album, saying there was a secret record hidden within the packaging.

It must be more than thirty years ago that my interest in Nick Cave was first piqued by a music press article in which the author contrasted the Australian singer-songwriter with U2’s Bono. The latter was a Christian who seemed fascinated by darkness, while the other was the Lord of Darkness who seemed forever fascinated by the Bible and Jesus.